![]() ![]() She continued her education by getting a master of fine arts in art direction and scenic design at New York University. ![]() He attended Rutgers University and earned a bachelor of fine arts degree with a concentration on design because he liked designing sets.īarton attended USC’s School of Architecture, and during that time, she regularly hung out with friends who would ask her to design sets for a show or short film they were making. “I felt it was really empowering to wear a headset and call cues during a stage performance,” he said. He found his passion being part of the backstage production crew of his high school drama club. His father was an architect, and his mother was an art teacher. But all agreed that while you’re starting out, any time you can design an environment for a low-budget film, a student film or other project, do it.Ĭonnelly grew up around blueprints. Others had internships or assisted on Broadway sets. Most of the designers The Times interviewed started as production assistants and made their way into the art department on set. So you want to direct, but you don’t have a wealthy benefactor or thousands of dollars to spare? It might be time to think about raising money from the throngs of movie lovers. You’ll have to manage your preparation time and think about how many hours you’ll need to creatively think things through.Ĭompany Town Directing a short film is expensive. A television series can be even more demanding than feature films: You’re creating something new every 10 days, she said. You can’t do everything, so you’ll need to rely on the team that you’ve assembled.Īlso, Rhee said it’s important to have endurance because the schedule on a production can be challenging. You have to be a problem solver, figuring out “how to get the best out of people from your team,” she said. You’ll be working with a lot of different personalities, and sometimes you’ll have to negotiate ideas or budget needs. You also need to have patience, said Rhee. “I looked up and there were just about 100 people walking towards stage to go in and start working, and it had never occurred to me just how much trust was given to me to have something ready for 100 people to show up,” he said. He remembers getting to “The Marvelous Mrs. Groom said you have to be able to juggle multiple duties and stay organized, because it’s a lot of responsibility. She recommends immersing yourself in architecture, fashion, history and sociology to be able to use those references in the world that you’re building. You’ll be given direction, but you should share your own ideas as well, she said. Barton said you have to be a listener, taking in the notes and comments of the director, showrunner or producer. “I cleared my plate and said, ‘I’m going to look through Craigslist and Facebook Marketplace at 1,000 motor homes until we find the right one,’” he said.īut it’s always a collaborative effort. The motor home idea was written into the later versions of the script. As Kisvarday worked with “Everything Everywhere” directors Daniel Kwan and Daniel Scheinert, he thought it would be funny if the Wang family had a motor home to make clean-laundry deliveries. The louder and weirder, the better, he said. And all of them said that a huge draw of being a production designer is the influence they have to visually guide a story. ![]() Many of the pros The Times spoke to have a background in architecture. ![]()
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